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Yet this fetishization of AI proves misguided in the long run. Unsupervised’s abstract aesthetic finally ends up divorcing this know-how from the intelligible domain of human affairs— obscuring the complicated and actual ways during which these machines are formed by, and in flip shape, the world round us. Anadol plays exactly into this mix of surprise and worry by articulating a dramatic imaginative and prescient of a machine intelligence that exceeds our comprehension. Its grandiose scale and abstracted visual kind positions this intelligence as nothing in need of a technological elegant looming over us, a deistic mind defying our understanding. There is, as Ben Davis wrote in a January review for Artnet, a “generalized awe on the machine’s superhuman capability of visual analysis” that drives the piece, a vision of AI as an unfathomable transcendent Other.
“The political dimension of this is very a lot current,” Pedrosa advised ARTnews in …